Is alive and kicking:  check out today’s VARIETY for the scoop:

…and what a month it is promising to be…

On Monday, 11th May, we commence principal photography on THE INFIDEL, slingshot’s 5th film and a glorious funny collaboration with Omid Djalili and David Baddiel. The film represents a number of firsts - Omid’s first lead, David’s first feature, Uzma Hasan’s first film as producer and the first time anyone has ever made a comedy about a fundamentalist Muslim cleric. More info is leaking across the interweb.

On Friday, 15th May, oh calloh callay, our dearly treasured second movie FRENCH FILM finally hits selected cinemas across the UK. We launched it last night at BAFTA to a wonderfully receptive audience, and are now crossing all our bits that reviewers will be as enthusiastic as audiences have been so far. In a joyous co-incidence of timing, Ash Ditta, the film’s writer became a father for the first time last night, launching both his movie and baby Nancy into the world. Find out where you can see FRENCH FILM here (Nancy is being kept under wraps for a bit longer)

and finally, on Friday 22nd May, screens across the nation TORMENTED comes out.

Somewhere amidst that we have to pop to Cannes for a few days…. so yes, its May, its glorious, every lad will be a cad and blog service will resume in June… xx

Is a question I get asked a lot. So much so that I decided to write an article about it, which can be found over at BlockBuster Buzz at The Times Online. Views welcomed.

Oh yes he is. on 15 May, FRENCH FILM arriveth, and with it: The King.  Click on the photo, thanks to FutureMovies.

Mentor, friend and the most consummate of Producers; a man whose example I strive to live up to, Simon Channing Williams died Easter weekend.  I’m sadder than I have any right to be, I knew him only slightly, but in many ways he has informed my career and with his death I feel a loss of something greater than I knew I had.

Four memories:

• We first met because of the co-incidence that we attended the same school, decades apart. I was at the start of my career, and had been offered a break, invited back to directing a play (Tom Stoppard’s ARCADIA) in commemoration of the school’s 75th anniversary, as my first professional gig. The math made clear that there was going to be a gap in the finances. I gave him the pitch, glossing over the inevitable loss and trying to get him to invest through his company. He saw at once that we were going to lose money, but he wrote us a personal cheque the same day: “I’ll do this one personally, if you lose it, then its my loss” he said.  We lost about half of it, the balance we offered to return to him - he told us to give it to charity.
• A few years later, when at grad school, I asked if I could shadow him as part of an assignment on management methodology. He accepted without hesitation, and then tolerated my dogging his every step over every minute of a stressful week. At the end of the week, I submitted my report - a minutia obsessed, faux academic analysis of his personal style. I don’t think it taught him much, about himself it told me I had found my life’s work: I wanted to do what he did.
• One thing that stands out from that week: a lorry driver had run into his beloved mini, denting its rear. The driver had left a note under the wipers, apologizing, and supplying his insurance details. SCW spent the whole morning, making phone call after phone call,  trying to track down the lorry driver to thank him for his consideration and honesty.  I’d never seen someone go so out of their way simply to say thank you -  for an accident that left him with a problem, at that.
• When I started slingshot, just over 3 years ago, I went to see him to tell him about the new company and to try and persuade him to be an adviser or board member. “That sounds like a good plan” he said, “I think you are onto something. But I don’t think you need my help anymore”.  I think I probably did, but I benefited more from his telling me to go it alone. Something that I, and the many others who he mentored and built up as he did me, must all now do.